oh, what a difference...

if you take away only one thing from this post, make it this: if you care about your tone you owe it to yourself to check out singlecoil.com

last week i took on replacing the cheap pots and caps that came in my telecaster with NOS military parts as the next step in my endless journey toward the ultimate tone.  i thought i’d post a little reivew and hopefully stear some of you out there to do the same.

pots and caps can vary greatly in price from just a few cents on the cheap side to tens of dollars for really nice NOS parts.  but then again, tens of dollars isn’t much if you can really improve the tone of your favorite instrument.  a comparison of tone caps on the Home Recording Show turned me on to the idea so i headed over to singlecoil.com.  the site is a tresure chest of great tips, tricks, how-to’s and what-to’s of guitar modding goodness. i emailed their web shop for advice on what to do with my telecaster.  they suggested two matched military grade 250k audio pots, a NOS german papter-in-oil tone capacitor, and a speacial “bleeder network” to go in place of the cheap ceramic capacitor across the load of the volume pot.  these pots have a super smooth 60/40 taper for a more musical range of motion than cheap ones and the paper-in-oil tone cap reveals a clarity in the midrange and articulation of the tone in all positions of the tone knob that was just muffled before.  the “bleeder network” that they attached to the volume pot for me at their shop is a small cap and resistor in paralell that cuts the volume more evenly across the frequency spectrum so the guitar doesn’t start to sound “thin” at lower volume settings.

this all cost me $62 including shipping.  once installed i could feel the new pots are smooth and firm as i turn them.  i used to never touch my tone knob because it made the guitar sound like i’d put my had over a microphone or something.  now any position of the tone knob sounds useable from full brightness and bite way down to the warm soft end.  but the most impressive part of all is the overall clarity in articulation that the guitar has.  when playing with the band my guitar cuts through better with out having to push the volume on my amp.  i can easily hear individual notes in my chords even with my distortion pedal breathing flames of rock awesome all over them.

$62 may sound like a lot for a couple of pots and some caps for your guitar but the improvement in the tone easily rivals some of the other, much more expensive addtions i’ve made to my signal chain.  

if you care about tone, don’t overlook this! trust me.

(some pics of the install)

new pots and caps before installwired up, ready to rock

my DIY acoustic treatment

on the list of basic, got-to-have-it gear for anyone wanting to make great recordings, is a well treated room. (or in my case, a live room and a control room!)  it’s the single best bang for your buck thing you can do to improve your recordings by making the source sound better in the first place.  i built my own broadband absorbers and diffusion panels, they came out great so i want to share what i did, what was good, and what could have been better.

most small rooms need absorbtion more than anything and that’s mostly what i did as well.  i researched quite a bit around the web for the best materials and methods.  i found a design for a wood framed fiberglass pannel that i made my own simplified version of.  the idea was to make the frame with another frame inside it, holding the chunk of insulation suspended with an air gap behind it.

but i like to tinker and modify things so i saw a way to simplify the construction while still getting great results!  here’s what i did:

my research found that rockwool is just as effective as owens corning 703 at absorbing sound and it’s cheaper!  the downside is it isn’t quite as easy to handle because it’s softer and tears if you’re not careful.  i had a good source for this stuff, in a friend who is a home builder.  it came in 4’ by 16” panels (3” thick) that’s because it’s used inside walls during construction for more sound resistant walls.  i got 2 bails of it, 24 pieces, for just $100.  i made simple frames from 1x2 pine board to the same dimensions as the insulation and stretched fabric across them like a canvas.  the piece of insulation sits on this “canvas” and another piece of fabric is wrapped over the top and it all get stapled together.  the 2” depth of the pine board is all behind the chunk of insulation so when it’s against a wall or ceiling it has that air gap behind it. (this air gap is very important as it increases the effective frequency band of your panels by letting the sound waves pass through partially absorbed, reflect off the wall, and pass through again.  it’s like adding free thickness to your panels!)  the fabric i chose was black burlap because it’s the cheapest i could get at about $2 a yard.  this design will hang on any screw, you can put hooks in them to hang in corners with picture wire, or even mount them right onto ceilings or doors with L brackets and screws as i did in a few places.  just make the frame to whatever size and shape your insulation pieces are, it’s quite simple.

i didn’t have the presence of mind to take any in process pictures when i made these panels over a year ago, sorry!  if anything needs clarification just ask.

i hung a few of these on the walls and corners of my live room and lots of them are on the walls, ceiling, and corners in my mixing room.  very effective, and inexpensive to make.  so after recording in my newly treated room a few times i felt like i wanted to liven up my room a little.  i was adding high eq to almost everything that was a distant mic.  but my room has parallel walls so i can’t just go taking down a few of my absorbers or i’ll get flutter echoes.  luckily for me the may/june 2011 issue of TapeOp magazine had an article by Brad Williams about building your own (inexpensive) QRD/BBC diffusors!  these are really expensive to buy ready made and the prime number equations for laying out the placement of the blocks is complex.  but this article has it all laid out like a paint by number.  the plans call for 2x2” wood studs and 18” sheets of plywood the glue them on to.  i love a project!

first choose the depth of the panels you want to make. deeper panels are effective down to lower frequencies.  i made mine with blocks 4, 3, 2, and 1 inches long for panels that are effective above about 1.7khz but doubling the length of those pieces to 8, 6, 4, and 2 inches will make panels that are effective down to about 850 hz.  the different lengths are laid out on the board according to the diagram in the magazine to create the uneven surface and scatter the sound waves as they reflect.

the shallow panels i chose require a little more than 3 eight foot studs to cut into the four different lengths for each diffusor.  i made four of them so my material cost was about $75.  so cheap compared to what you can buy from acoustic treatment manufacturers!  and the results are great looking, effective diffusors.

update!!  i found a web version of the instructions for how many pieces you need and where to put them here!  

so is this all worth it?  in the case of the absorbing panels i think it’s definitely yes!  low cost, not too much work and man are they effective.  the diffusors on the other hand? well, cutting those studs into the 4, 3, 2, and 1 inch pieces took about 2 hours on a table saw. (if i had a chop saw i could have sped this up a bit)  gluing the pieces to the plywood backing took about six hours.  and because i used knotty pine studs to save on material cost i decided to paint them black to match my absorbers.  they look great and add to the professional esthetic of the studio but i don’t think i can recommend this project to somebody unless you really get a kick out of doing things yourself like i do.  this took quite a few of my weekend off-hours when i could have gone to target or something and gotten a big book shelf, filled it with a shopping trip to a used book store for probably a bit less money than what i spent on these materials, and surely way less time.  these diffusors are obviously more effective than a book shelf, but how many hours and dollars more effective?  

i’m glad i made them, like i said: i love a good project, but i won’t be making any more!  

i hope this helps some of you decide what you want to build and how to do it!  any questions just ask!

and here are some photos of the the diffusors in process and a picture of them hanging on the wall of my live room next to one of my absorbers in the corner.

home made QRD/BBC diffusor in processhome made QRD/BBC diffusor finishedhome made QRD/BBC diffusors and absorber panel hanging

Forging Reverie Vocal Chain

i never got around to posting about the chain we picked for Tye’s vocal.

Tye’s vocal setup

it was the RODE NT2, really close, like six inches off his mouth, just below, on axis.  this is a really tough distance to get right, i wouldn’t recommend it for singers that move around a lot, but Tye is really stable when he wants to be and we liked the close sound.

so straight into the Aphex 107 tube pre.  i was expecting to like the Golden Age pre73 but the sibilance was a little more harsh than i wanted and the Aphex was softer, and did some really great things with “eff”s.  fuzzy fuzzy effs….  so then i double compress to tape!  (not for the faint of heart)  first side of the ART PRO VLA tube compressor has a high threshold, high ratio, fast attack, fast release.  grabbing the big peaks.  then into the other side of the same unit doing around 2-4 db of reduction on 4:1, slow attack, fast release to bring up the bottom and smooth it all.  

this isn’t the sort of thing you teach a beginner, when you’re doing this much damage so close to the mike before tape, you better know what sound you’re going for.  a few parts we moved back to the 24” range to get a bit more distant sound but most of the record is done this way.  

….there isn’t a whole lot left to do here :)

thanks, everyone

on this, the 4th day of may, my phone has been exploding with all your birthday wishes.  it’s not a bad feeling.

i’ve been pouring almost every second into finishing up the Forging Reverie album so i didn’t have time for a big celebration.  still i used the occasion to get some cool new stuff!

first of all i graduated to some big kid monitors, A5x’s from Adam Audio in Germany.  i knew i wanted to get myself new nearfields for my birthday this year so the whole of april was spent researching.  i settled on the Adam’s, at the high end of my price range they’re so very worth it.  they’re extremely true and flat, the folded ribbon tweeters are like… cleaning a really dirty car windshield.  i just want to be listening to them all the time.  anyway, here’s a pic of the desk…

 Railroad Avenue Deskon top of that, some friends and family were kind enough to hook me up with the remaining parts to build the guitar i’ve always wanted!  no more modified korean telecaster for me.  here now, is “Operation: build my dream guitar”

the lake placid blue telecaster body with vintage white binding:

lake placid blue telecaster bodywired up the electronics, Fender Hot rail single coil at the neck and my personal favorite DiMarzio Fast Track T at the bridge, coil tapped, and my foil tape shielding job so no aliens can contact me while i’m rocking.

wiring add the 2008 American Standard Telecaster neck, vintage white pick guard Sarah got for me and the Modern Tele Bridge from Gotoh… here all measured, placed and ready to drill.

ready to drilland here it is all finished and strung up.  beautiful.

new weapon i feel like Luke fucking Skywalker.  “So, you have constructed a new lightsaber.  Now your training is complete”

so even though i was to busy to have a party, and it seems i’m not going to make it out to any Cinco De Mayo party (as is my usual custom) due to our recording schedule, it’s been an awesome week.

thanks again for all the messages!  i’ll see you when i see you.

Forging Reverie Vocal Shootout!

i’ve uploaded samples of 10 different vocal microphone setups, we want you to listen to them and vote for the one you think sounds the best!

here they are, get to it!

Forging Reverie vox test . zip

just download the zip and play the high res files.  swap back and fourth until you find the one you think sounds the best and post your pick in the comments.  thanks!